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Ravel Maurice - Intro To Ravel Bolero

Maurice Ravel

€24.99

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Tuotenumero

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Artisti:	Ravel Maurice
Julkaisupäivämäärä:	2001-03-01
Levy-yhtiö:	Naxos
Media:	CD
Tuotenumero:	855803233
Viivakoodi:	0636943803226
Yksiköitä pakkauksessa:	1 kappale

1. Bolero: Introduction; Cue to Unadorned Bolero Rhythm, Part 1
2. Bolero: Bolero Rhythm, Part 2: An Extended Variation of Part 1
3. Bolero: 'Motto' Rhythm Complete (Instrumentation Will Change on Each New Hearing)
4. Bolero: But Here We Have Snare Drums and Plucked Violas and Cellos
5. Bolero: Section 1: Introduction of 'The Theme: (The Only One in the Piece) By Solo Flute
6. Bolero: Flute Continues with Part 2 of Theme
7. Bolero: Section 2: Complete Statement of Theme By Clarinet As Flute Joins 'Motto' Group
8. Bolero: Introduction of 'Discordant' Harp Into the Unfolding Picture
9. Bolero: Section 3: Bassoon Introduces Closely Related Variant of Theme
10. Bolero:... But Then Veers Upwards, Slowing Rhythm and Introducing New Syncopation
11. Bolero: Section 4: 'Petite' E Flat Clarinet Takes Over Theme, Including Variants
12. Bolero: Section 5: Oboe D'amore Takes Over Theme But Returns to It's Original Form
13. Bolero: Section 6: Theme Now Shared By Two Instruments: Muted Trumpet and Flute
14. Bolero: Section 7: Tenor Saxophone Takes Theme As Trumpet Replaces Horn in 'Motto'
15. Bolero: Section 8: Theme Taken By Soprano Saxophone, 'Espressivo'
16. Bolero: Section 9: Theme: Celeste, Piccolos and Horn; Motto: Flute and French Horn
17. Bolero: Section 10: Theme: Oboes, Horns, Clarinets; Motto: Plucked Violas and Violins
18. Bolero: Section 11: Theme Taken By First Trombone, Complete with Jazzy Slides
19. Bolero: Section 12: Theme: Flutes, Oboes, Clarinets, Sax; Motto: Bassoons, Horns, Trumpets
20. Bolero: Section 13: Violins at Last Take the Main Tune, Joining Massed Winds
21. Bolero: Section 14: Violins Divide Into Four Groups, Each 'Double-Stopping'
22. Bolero: Section 15: Trumpet, Trombone 2 and Tuba Join the Foreground
23. Bolero: Section 16: First Trombone and Soprano Saxophone 'Rejoin' Theme
24. Bolero: Section 17: Fortissimo; All Strings 'Double-Stopping'; Trumpets Added
25. Bolero: Section 18: Entire Orchestra Now Employed, 'As Loudly As Possible'
26. Bolero: Section 19: Sudden, Amazing Change of Key, Lurching from C to E Major
27. Bolero: Section 20: Key Now Lurches Back to C, As Jazzy Trombones Whiningly Protest
28. Bolero: Cue to Complete Performance
29. Bolero: Bolero (Complete)

1. Ma Mere L'oye: 1. Pavane de la Belle Au Bois Dormant: Opening Figure on Flute; Rising, Falling
2. Ma Mere L'oye: 1. Pavane de la Belle Au Bois Dormant: Same Again, with Emphasis on Delicacy of
3. Ma Mere L'oye: 1. Pavane de la Belle Au Bois Dormant: Answering Variant, Accompanied By Plucked
4. Ma Mere L'oye: 1. Pavane de la Belle Au Bois Dormant: Reminder of Opening Figure
5. Ma Mere L'oye: 1. Pavane de la Belle Au Bois Dormant... And Now It's Rhythmical Mirror Image, or...
6. Ma Mere L'oye: 1. Pavane de la Belle Au Bois Dormant: Answering Phrase 2: A Near-Inversion, Over
7. Ma Mere L'oye: 1. Pavane de la Belle Au Bois Dormant: Pivotal Phrase 3, Reversing Direction But
8. Ma Mere L'oye: 1. Pavane de la Belle Au Bois Dormant: Reprise of Phrases 1 and 2, But Now on
9. Ma Mere L'oye: 1. Pavane de la Belle Au Bois Dormant: Further Reprise of Phrase 2, Now on Violin.
10. Ma Mere L'oye: 1. Pavane (Complete)
11. Ma Mere L'oye: 2. Petit Poucet (Tom Thumb): Introduction; Opening, with Multi-Metre Rising Scales
12. Ma Mere L'oye: 2. Petit Poucet (Tom Thumb): Changes of Metre Continue As Solo Oboe Introduces
13. Ma Mere L'oye: 2. Petit Poucet (Tom Thumb): Oboe Yields to Cor Anglais for Theme Two, Against
14. Ma Mere L'oye: 2. Petit Poucet (Tom Thumb): Theme One Returns, Shared By Clarinet and Flute; Muted.
15. Ma Mere L'oye: 2. Petit Poucet (Tom Thumb): 'Motto' Rhythm Dominates As Intensity Increases from
16. Ma Mere L'oye: 2. Petit Poucet (Tom Thumb): Fear Subsides As Theme Two Returns, Again in Cor
17. Ma Mere L'oye: 2. Petit Poucet (Tom Thumb): Sensational Sound Effects Evoke a Wood at Night, with
18. Ma Mere L'oye: 2. Petit Poucet (Tom Thumb): Texture Thins; Theme One Returns, Delicately Scored
19. Ma Mere L'oye: 2. Petit Poucet (Tom Thumb): The Main Part of Movement Ends, with Waltz-Like March
20. Ma Mere L'oye: 2. Petit Poucet (Complete)
21. Ma Mere L'oye: 3. Laideronnette, Imperatrice Des Pagodes: Introduction; Opening (Introductory)
22. Ma Mere L'oye: 3. Laideronnette, Imperatrice Des Pagodes: Oriental-Orchestral Equivalent of An
23. Ma Mere L'oye: 3. Laideronnette, Imperatrice Des Pagodes:... Oboe 'Answers' with a Very Slightly
24. Ma Mere L'oye: 3. Laideronnette, Imperatrice Des Pagodes: Expanded Derivative of the 'Telephone
25. Ma Mere L'oye: 3. Laideronnette, Imperatrice Des Pagodes: Fragments of Theme in Flutes and Cor
26. Ma Mere L'oye: 3. Laideronnette, Imperatrice Des Pagodes: 'Gamelan' Music from Flute and Piccolo
27. Ma Mere L'oye: 3. Laideronnette, Imperatrice Des Pagodes: Arrival of Empress; Upper Strings Yield
28. Ma Mere L'oye: 3. Laideronnette, Imperatrice Des Pagodes (Complete)
29. Ma Mere L'oye: 4. Les Entretiens de la Belle Et de la Bete: Opening, Waltz Theme from Clarinet
30. Ma Mere L'oye: 4. Les Entretiens de la Belle Et de la Bete: Characteristic Pattern of Two Short
31. Ma Mere L'oye: 4. Les Entretiens de la Belle Et de la Bete: Clarinet, Flutes and Violas, with.
32. Ma Mere L'oye: 4. Les Entretiens de la Belle Et de la Bete: Varied Reprise of Opening, Entry of
33. Ma Mere L'oye: 4. Les Entretiens de la Belle Et de la Bete: Again the 'Beast' Growls; Again the
34. Ma Mere L'oye: 4. Les Entretiens de la Belle Et de la Bete: Derivative of Beauty's Theme from
35. Ma Mere L'oye: 4. Les Entretiens de la Belle Et de la Bete: 'Beast's Theme' Rises in Pitch with
36. Ma Mere L'oye: 4. Les Entretiens de la Belle Et de la Bete: 'Beauty', 'Beast' and 'Caution' Motifs
37. Ma Mere L'oye: 4. Les Entretiens de la Belle Et de la Bete: 'Beast' (Contra-Bassoon) Climbs Ever
38. Ma Mere L'oye: 4. Les Entretiens de la Belle Et de la Bete: Harp's Upward Glide Heralds the Moment
39. Ma Mere L'oye: 4. Les Entretiens de la Belle Et de la Bete (Complete)
40. Ma Mere L'oye: 5. Le Jardin Feerique: Introduction; Opening Bars Are Unfurled By the Strings Alone
41. Ma Mere L'oye: 5. Le Jardin Feerique: The Rhythmic Basis, and It's Guises. First, a Question
42. Ma Mere L'oye: 5. Le Jardin Feerique: The Question Intensified: 'Oh Where Went... My Childhood?'
43. Ma Mere L'oye: 5. Le Jardin Feerique: The Answer, with a Falling Inflection: 'Gone Is Your
44. Ma Mere L'oye: 5. Le Jardin Feerique: The Plea: 'Bring Back My Child-Hood!'
45. Ma Mere L'oye: 5. Le Jardin Feerique: The Response: 'Seek in... Your Mem'ry. There It... Will Be.'
46. Ma Mere L'oye: 5. Le Jardin Feerique: Ravel's Use of Tone Colour to Change the Feeling of the Music
47. Ma Mere L'oye: 5. Le Jardin Feerique: Further Illustration of the Same Point
48. Ma Mere L'oye: 5. Le Jardin Feerique: Continued
49. Ma Mere L'oye: 5. Le Jardin Feerique: The Nobility of the Strings
50. Ma Mere L'oye: 5. Le Jardin Feerique: Bells Evoked By French Horns; the Final, Opulent, Moving
51. Ma Mere L'oye: 5. Le Jardin Feerique (Complete)

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